La Radio Di Musica Classica Britannica In Tempo Di Guerra
La musica classica costituì un importante fattore significativo per la radiotrasmissione et la colonna sonora durante la Seconda Guerra Mondiale.
Austro-British composer, conductor and publicist Bernard Grün was born #OTD in 1901. He emigrated to England in 1935 and in exile he composed 26 operettas and 50 film scores and made name for himself as a music historian.
Fritz Prager (born #OTD in 1883) gave his last public performance in 1933. In the Judische Kulturbund he conducted cabaret and was expelled from the RKK in Aug 1935. Prager escaped to Shanghai with his wife in Nov 1938 where he led the Russian Light Opera.
Musicologist Hans Ferdinand Redlich was born #OTD 1903. He conducted opera in Berlin and Mainz, and after 1931 concentrated on research and writing. In 1939 he fled to Britain and lectured at the universities of Cambridge from 1942 and Edinburgh from 1955.
German operetta composer and conductor Jean Gilbert was born Max Winterfeld #OTD in 1879. In 1933 he emigrated to Madrid and later to Argentina, where he led and conducted a radio orchestra.
Cantor Josef Schallamach (born #OTD in 1907) was registered in the 1939 census as a Jew with his family. They managed to flee to Shanghai shortly afterwards. Shallamach and his family finally arrived in San Francisco on July 14, 1947 on the General Gordon.
La musica classica costituì un importante fattore significativo per la radiotrasmissione et la colonna sonora durante la Seconda Guerra Mondiale.
Esplora l'accoppiamento tra simbolismo visivo e musicale, concentrandosi sul modo in cui il film Jojo Rabbit utilizza la musica popolare e le icone visive e vocali dell'Olocausto.
I regimi politici utilizzano gli inni come simboli dei loro valori e delle loro aspirazioni. Mentre la Francia era divisa dalla guerra, adottò tre inni tra nord e sud.
Per molti compositori ebrei, l’ascesa al potere del Nazismo portò ad una scelta drastica: restare e sottomettersi, oppure trasferirsi in terre lontane.
Bunalied was written in mortal danger in the Buna-Monowitz subcamp of Auschwitz with lyrics by Fritz Löhner-Beda and music by Anton Geppert.
I "compositori dell'Olocausto" come Ullmann, Haas o Schulhoff erano prima di tutto musicisti, la parte più importante della loro identità, e dovrebbero essere commemorati in quanto musicisti.
Il "canzoniere di Deggendorf" illustrato è un manufatto affascinante e un documento visivo della vita culturale e della riabilitazione sociale nei campi DP.
Il compositore Henech Kon (1890-1970) si trasferì a New York prima della seconda guerra mondiale, dove fu uno degli scrittori e artisti immigrati in fuga dal nazismo. Continuò a comporre brani per commemorare la distruzione dell'ebraismo polacco.
Jonas Turkow (1898-1987) was an actor, stage manager, director and writer. He received the Itzik Manger Prize for his contributions to Yiddish letters.
Diana Blumenfeld (1903–1961) was a folksinger, pianist, and actress. Caught in the ghetto along with her husband, family and friends, she continued to sing, performing in cafes and in the ghetto theatre.
Yankl Krimski was a theatre artist and musician in the Vilna ghetto. One of his most popular songs was 'Dos Elnte Kind' (The Lonely Child). Krimski’s fate is uncertain, but he is believed to have perished in an Estonian labour camp in 1943.
Poet, actor and songwriter Mordechai Gebirtig (1877-1942) was politically active and called 'the perfect Jewish folk poet'. His songs provide a window into daily Jewish life in inter-war Poland.
Isa Vermehren (1918-2009) volunteered to support the German troops as an entertainer between 1940 and 1943. Due to her brother's defection she was taken to Ravensbrück, where she was locked in an isolation cell.
Actor Paul Morgan (1886-1938) studied theatre and writing, and began performing in small theatres and cabarets before World War I. He died in Buchenwald concentration camp.
One of the few surviving Jewish members of the cabaret scene of 1920s Vienna, Herman Leopoldi (1888-1959) was interned in two of Nazi Germany’s most notorious camps but obtained a last-minute release.
In 1942 Cantor Benzion Moskovitsh (1907-1968) was deported to Westerbork and in 1944 to Buchenwald. There he sang for fellow prisoners and took notes of melodies he heard on a smuggled block-note.
Cantor Yehoshua Wieder and his family were deported to Auschwitz, where his wife Chana and three youngest children were killed. Wieder and his three other children survived.
Cantor Charles Lowy (1911-1998) escaped Munich after Kristallnacht to Hungary and became chief cantor in Szolnok. From 1942 he was subjected to forced labour and liberated by the Red Army in 1945. His wife and son were killed in Auschwitz.
Gershon Sirota (1874-1943) was one of the leading cantors of Europe during the "Golden Age of Hazzanut", sometimes referred to as the "Jewish Caruso". He and his family died together in the Warsaw uprising in 1943.
When the war broke out Joseph Schmidt (1904-1942) fled to France then retreated to Switzerland. Although in possession of an American visa and well known, he was interned and, owing to a lack of medical attention, he died on 16 November 1942.
Composer Viktor Ullmann (1898-1944) grew up and was educated in Vienna. He was trapped in Prague on the German invasion in March 1939 after trying unsuccessfully to find work in London or South Africa. In 1942 he was deported to Terezin.
In December 1941, pianist, composer and conductor Carlo Sigmund Taube (1897-1944) was deported to Theresienstadt with his wife and child.
In spring 1944, composer, pianist and musicologist James Simon (1880-1944) was sent to Westerbork. On April 4 he was deported with 1000 other inmates to Terezín. On 12 October 1944 he boarded the transport to Auschwitz.
The composer and violinist Zikmund Schul (1916-1944) and his father left Germany in October 1933, taking residence in Prague. He was transported to Terezín on 11 November 1941 where he continued to compose pieces, few of which survive.
Rafael Schächter (1905-1944) made his name as an accompanist and vocal coach, working in opera and theatre before deportation to Terezin in Nov 1941. A pioneer of cultural life in the ghetto, he was deported to Auschwitz on 16 Oct 1944.
Egon Ledeč (1889-1944) was a Czech violinist and composer sent to Theresienstadt. He appears as the concertmaster in Karel Ančerl’s orchestra in the Nazi propaganda film of the camp.
After spending several years in Terezin being active in its musical life, Hans Krasa (1899-1944) left for Auschwitz on 16 October 1944 with his fellow composers Viktor Ullmann, Pavel Haas and Gideon Klein.
At age 6, Gideon Klein's (1919-1945) precocious musicality was evident and he began to study piano with the head of the Přerov conservatory. He was an organiser of cultural life at Theresienstadt.
Dovid Ayznshtat (1890–1942) continued to compose, conduct, perform, and train aspiring musicians, in the Warsaw Ghetto, despite the limitations and dangers of ghetto life.
The conductor and composer Misha Veksler (1907-1943) became an important figure in the musical world of the Vilna ghetto, serving as the conductor of the theatre orchestra and composing music for many of the revues that were performed there.
Wolf Durmashkin (1914-1944) è stato un compositore, direttore d'orchestra e pianista ebreo di Vilnius. Fu deportato a Klooga durante la liquidazione del ghetto di Vilna e fu ucciso un giorno prima della liberazione.
Conductor and pianist Teodor Ryder (1881-1944) was deportated to the Łódź ghetto in 1940. He continued to perform and organise even after the death of his wife and gave his final concert in the summer of 1943.
The violinist Alma Rosé (1906-1944) luck came to an end when she was arrested in France and sent to Drancy for several months. In July 1943, she was transported to Auschwitz.
The Polish music teacher Zofia Czajkowska arrived in Auschwitz on 27 April 1942 on a transport from her home town of Tarnow. She was to become the original organiser and first conductor of the Birkenau women’s orchestra.
Polish musician Adam Kopyciński (1907-1982) was conductor of the men's orchestra in Auschwitz. He struggled with the morality of a death camp orchestra knowing that rejecting a musician could well mean his death.
Otto Klemperer (1885-1973) è stato un direttore d'orchestra e compositore ebreo di origine tedesca, descritto come "l'ultimo dei pochi veri grandi direttori d'orchestra della sua generazione". Nell'aprile del 1933 fuggì in Austria, lasciando moglie e figli, per seguirli quando si fosse assicurato una residenza permanente.
In 1933, Rosebury D’Arguto’s activities with his Gesangsgemeinschaft was banned. On a return trip to Germany to settle some personal matters in September 1939, he was arrested by the Gestapo, and taken to Sachsenhausen where he organized a Jewish choir.
A cabaret artist, theatre and film actor and director of theatre and early sound movies, Kurt Gerron (1897-1944) was a successful entertainer of the 1920s and early 1930s. He directed the Terezin propaganda film and was killed soon after.
Actor, director and leftist activist Wolfgang Langhoff (1901-1966) engaged in cultural activities in Börgemoor, organising the ‘Zirkus Konzentrazani’, as well as co-creating the song ‘Moorsoldatenlied’.
Musician Walter Starkie who set up 'El British' and met with General Franco to formalise cultural exchange between Britain and Spain. Starkie's efforts helped keep Spain neutral during WWII.
Dame Julia Myra Hess, DBE (1890-1965) è stata una pianista inglese, nota soprattutto per le sue interpretazioni delle opere di Bach, Mozart, Beethoven e Schumann. Durante la Seconda Guerra Mondiale, organizzò concerti alla National Gallery per sollevare il morale.
Il permesso di Göring permise a Heinz Tietjen di continuare ad assumere Leo Blech nonostante le sue origini ebraiche. Licenziato "per motivi di età", si esilia a Riga come primo ospite dell'Opera Nazionale dirigendo numerose opere di successo.
Nel 1898 Bruno Walter Schlesinger (1879-1962) era regista di teatro musicale e qualche anno dopo direttore dell'Opera di Stato bavarese. Inserito nella lista nera dei nazisti, nel 1938 partì per gli Stati Uniti dove diresse la Filarmonica di New York.
Come pochi altri, Kurt Weill (1900-1950) e Bertolt Brecht (1898-1956) sono sinonimo dell'innovazione culturale della Repubblica di Weimar. Con il loro Die Dreigroschenoper, il duo ha rappresentato tutto ciò che i nazisti dichiaravano nemico.
Il compositore Arnold Schönberg (1874-1951), insieme a Berg e Webern, è conosciuto come la Seconda Scuola Viennese. La sua rivoluzionaria tecnica musicale della dodecafonia (dodici toni) è stata la sua firma.
Compositore austriaco della famosa opera jazz Jonny Spielt Auf, Enrst Krenek (1900-1991) emigrò negli Stati Uniti nel 1938, dopo che la sua musica fu bandita dal regime nazista. Insegnò in diverse università e continuò a comporre fino alla sua morte, avvenuta nel 1991.
Il compositore emigrato Berthold Goldschmidt (1903-1996) è morto a Londra all'età di 93 anni. Aveva vissuto nello stesso appartamento al piano terra da quando aveva lasciato la Germania per sfuggire ai nazisti nell'ottobre del 1935.
Il compositore marxista Hanns Eisler (1898-1962) si trovava a Vienna nel gennaio 1933 quando Hitler divenne cancelliere tedesco. Eisler rimase fedele ai suoi ideali comunisti, fuggendo dalla Germania nazista negli anni Trenta e dall'America negli anni Quaranta.
Hans Gál (1890-1987) ebbe successo professionale prima del 1933. Quando i nazisti presero il potere, fu direttore del Conservatorio di Magonza, ma fu licenziato e le sue opere furono bandite sia dall'esecuzione che dalla pubblicazione.
Paul Arma (1905-1987) è una figura cruciale nella storia della musica della Resistenza francese, sia per le canzoni che ha composto sia per i suoi sforzi di preservare l'enorme corpus musicale creato durante la guerra. Arma vedeva le canzoni della Resistenza non solo come fonti di speranza e atti di coraggio in tempo di guerra, ma anche come importanti manufatti da salvare.
Alfred Rosenberg (1893-1946) scrisse nel 1934 Der Mythus des 20. Jahrhunderts (Il mito del XX secolo) nel 1934, che sosteneva la supremazia della razza "ariana" e la minaccia rappresentata dagli ebrei. Fu dichiarato colpevole di crimini contro l'umanità e giustiziato.
Il compositore Hans Pfitzner (1869-1949) si considerava un difensore della nazione tedesca, dei suoi valori e della sua cultura contro una Francia "degenerata" e "corrotta". Durante il processo per denazificazione, insieme a Furtwängler, Egk e Strauss, fu dichiarato non colpevole.
Hans Joachim Moser (1889-1967) incolpava l'America e gli ebrei per la commercializzazione della musica. Il suo impegno per la celebrazione della Germania gli valse l'approvazione del nazismo e la promozione a segretario generale del Ministero della Propaganda.
Il violinista e direttore d'orchestra Gustav Havemann (1882-1960) passò dall'essere un musicista modernista e amico di compositori ebrei radicali, a diventare un convinto ideologo della musica nazista e infine un fervente antifascista dopo la guerra.
Il Lexikon der Juden in der Musik di Herbert Gerigk (1905-1996) era così popolare che nel 1943 migliaia di copie circolavano in tutto il Reich tedesco. Anche nell'ambito dell'ideologia nazista Gerigk era noto per essere particolarmente conservatore e critico.
Autore del libro del 1939 Mendelssohn, Meyerbeer, Mahler: tre capitoli dell'ebraismo nella musica come chiave per la storia della musica del XIX secolo, ha consolidato la reputazione di Karl Blessinger (1888-1962) come uno dei più importanti musicologi antisemiti del Terzo Reich.
Joseph Goebbels voleva promuovere tutte le opere che dimostrassero l'egemonia tedesca nella musica; per questo motivo, paradossalmente, inizialmente protesse i compositori o i direttori d'orchestra che si opponevano all'applicazione delle leggi antisemite, oscurando persino le origini ebraiche di alcuni compositori di talento o proteggendone le mogli.
Władysław Szlengel (1912-1943) was a Jewish-Polish poet, lyricist, journalist, and stage actor. He was shot along with his wife at the age of 28.
Avraham Sutzkever (1913-2010) is one of the most important contemporary Yiddish poets. During the war, Sutzkever was involved in many acts of resistance and helped save many important texts. He escaped to Moscow with his wife.
Leah Rudnitski (1916-1943) wrote one of the most beautiful lullabies to have survived the Vilna ghetto, entitled ‘Dremlen feygl oyf di tsvaygn’ (Birds doze on the boughs). She was arrested by the Gestapo and sent to Treblinka, where she was murdered.
Poet and partisan fighter Shmerke Kaczerginski (1908-1954) was a collector of Yiddish Shoah song. He was sent to the Vilna ghetto in early 1942 where he crafted songs to console prisoners and encourage resistance.
Hirsch Glick (1922-1944) was a Jewish poet and partisan. He began to write Yiddish poetry in his teens and became co-founder of Yungvald, a group of young Jewish poets.
Writer, poet and teacher of Yiddish literature, Isaiah Spiegel (1906-1990), was an inmate of the Lodz Ghetto from its inception in 1940 until its liquidation in 1945. In August 1944, Shpigl hid some of his writings in a cellar and took the rest with him to Auschwitz.
An important poet and song writer in the Kovno ghetto, Moshe Diskant was critical of the divisions between wealthy and poor in the ghetto.
Avrom Akselrod was a well-known poet and songwriter in the Kovno ghetto, known for his cynical, humorous and realistic depictions of the misery and occasional joys of ghetto life.
Bass singer Karel Berman (1919-1995) was deported to Terezin on 6 Mar 1943. He sang in operas and recitals and was cast as 'Death' in Ullmann’s Der Kaiser von Atlantis. Transported to Auschwitz on 28 Sep 1944 and liberated from the Allach camp.
Marysia Ayznshtat (1921-1942) è stata una delle figure musicali più amate del ghetto di Varsavia. Fu uccisa da un ufficiale delle SS all'età di ventuno anni.
Khayele Rozental (1924-1979) was one of the most popular singers in the Vilna ghetto. She established her talents in drama and singing aged 16, when she was chosen to represent Vilna at the Festival of Songs in Moscow.
Soprano Lyube Levitski's beautiful voice made her a star at the age of 21. In the Vilna ghetto she was lashed, kept in solitary confinement for a month, and eventually killed at Ponar.
Kasriel Broydo (1907-1945) was a songwriter, singer and coupletist. He was born in Vilnius and played in various troupes and marionette-theaters.
In 1940, Yankele Hershkovitsh (1910-1972) was deported to the Łódź ghetto. He became the much-loved voice of the ghetto, singing in the courtyards and streets, and documenting and commenting on events.
Fania Fénelon (1922-1983) was a French pianist, composer and cabaret singer whose contested 1976 memoir, Sursis pour l'orchestre, about survival in the Women's Orchestra of Auschwitz during the Holocaust was adapted as the 1980 television film, Playing for Time.
Alexander Kulisiewicz (1918-1982) was a poet, player, and songwriter of ballads in the Sachsenhausen concentration camp that often evoked his native Poland with nostalgia and patriotic zeal.
Durante la Seconda guerra mondiale, molti ebrei europei sfidarono gli oppressori nazisti opponendo una resistenza attiva. Questa guerra partigiana, condotta da forze clandestine e irregolari che operavano in territorio nemico, era particolarmente diffusa nelle fitte foreste e nelle paludi dell'Europa orientale.
The Polish musician Jozef Kropinski was born on 28 December 1913 in Berlin. On 7 May 1940, Kropinski was arrested by the Gestapo for publishing an underground newspaper, and sent to Auschwitz.
Jan Vala was a self-taught guitarist, singer and composer. He had been the owner of a popular bar in Ostravia, where he had entertained his patrons with comedy sketches and musical performances. He spent 2,060 days in German prisons and camps.
Le canzoni della resistenza francese sono state raccolte da Paul Arma con la moglie Edmée per salvare dall'oblio le numerose canzoni scritte come atti di resistenza durante la Seconda Guerra Mondiale e per riconoscere gli sforzi compiuti e i pericoli affrontati dai loro creatori.
Il compositore ebreo bielorusso Eta (Edi) Tyrmand è uno dei circa 30.000 ebrei bielorussi che si unirono alla resistenza partigiana sovietica.
Composer and musician Erich Hugo Frost (1900-1987) was imprisoned several times in prisons and concentration camps between 1934 and 1945. He composed ‘Fest steht in großer, schwerer Zeit (Stand Fast in Great and Hard Times) in the spring of 1941.
Leo Straus (1897-1944) was arrested along with his wife Myra and sent to Theresienstadt where he was involved in cabaret productions, both as a librettist and performer. In October 1944, they were deported to Auschwitz and killed.
Artur Gold (1897-1943) è stato un violinista e compositore polacco. Collaborò con il fratello Henryk Gold e con Jerzy Petersburski, con cui arrangiò la musica. Lui e i suoi colleghi musicisti furono uccisi durante le ultime settimane di Treblinka.
The musical career of Wladyslaw Szpilman (1911-2000) was interrupted by the German invasion of Poland on 1 September 1939. Szpilman and his family were driven, along with hundreds of thousands of other Jews, into the Warsaw ghetto.
Avrom Brudno was a musician and composer in the Vilna ghetto. He created many of the ghetto’s most successful songs including the melody for ‘Friling’. He died in Klooga.
David Beigelman (1887–1945) was a Polish violinist, orchestra leader, and composer of Yiddish songs. In the Łódź ghetto established a small theatre where he composed prolifically and wrote his own lyrics.
One of the remarkable reunions to take place in the immediate aftermath of the war was that of the Jewish brothers Michael (1898-1994) and Robert Hofmekler (1905-1994), in June 1945, at the Saint Ottilien Displaced Persons’ camp.
A doctor put Henry Meyer’s ID on a corpse and hid the violinist. Meyer (1923-2006) was transferred to Birkenau, where he played in the orchestra. After brief time in other camps and surviving a death march, he survived and emigrated to the US.
Jewish musicologist, composer, playwright, poet, and painter Arno Nadel (1878-1943) had an exit visa to England but he was too weak to make the journey. On 12th March 1943 he was deported to Auschwitz where he was murdered the same year.
Il musicologo e critico musicale britannico di origine austriaca Hans Keller (1919-1985), che ha dato un contributo significativo alla musicologia e alla critica musicale, fu arrestato dai nazisti e costretto a lasciare l'Austria dopo l'Anschluss del 1938.
Il compositore ed etnomusicologo Komitas Vardapet (1869-1935) non fu protetto dalla sua stimata reputazione culturale e fu mandato in esilio insieme a 800 intellettuali dai Giovani Turchi. Fu uno dei pochi a sopravvivere al genocidio armeno.
Henryk Apte was a prominent figure in the cultural and musical life of the Jewish community in Krakow during the early 20th century.
Paulina Braun (1915-1943) was a songwriter and composer in the Warsaw ghetto. Before being forced into ghetto’s cramped quarters, she had established a name for herself as a composer in the Polish theatre world of Warsaw.
Il pianista e autore di canzoni Alek Volkoviski (1931-2019) vinse un concorso nel 1943, all'età di undici anni, nel ghetto di Vilna, con la sua ninna nanna "Shtiler, shtiler".
Yankl Trupyanski was (1909-1944) a music teacher and composer of children's songs in Warsaw and Vilna. He composed many of the songs sung by children in the Yiddish schools of the inter-war years.
Leyb Rozental (1916-1945) was a poet, publishing his first poetry book at the age of 14. In the Vilna ghetto he became one of the most successful writers of musicals and theatre revues.
Rikle Glezer (1924-) was only 16 when the Nazis invaded her home city of Vilna. She wrote several songs during her years of imprisonment in the Vilna ghetto. She escaped during deportation and joined the partisans in the forests around Vilna.
Khane Khaytin (1925-2004) was a Lithuanian-Jewish songwriter who wrote many popular songs in the Shavli ghetto.
Salomon Meijer Kannewasser (1916-1945) was the lead singer in a popular young musical duo from Amsterdam known as Johnny & Jones. Their popularity began in 1938 and they went on to record six albums under the Panachord music label.
Arnold Simeon van Wesel (1918-1945) played guitar in a popular young musical duo from Amsterdam known as Johnny & Jones. Their popularity began in 1938 and they went on to record six albums under the Panachord music label.
From the age of fourteen, Hans Neumeyer (1887-1944), a composer and teacher of musical composition, was completely blind. He died whilst interned in Theresienstadt on 19 May 1944.
Direttore d'orchestra, compositore e pianista tedesco Peter Gellhorn (1912-2004) fuggì dalla Germania negli anni '30 e si stabilì a Londra. Ha diretto alla Royal Opera House, al Sadler's Wells e a Glyndebourne.
Walter Bricht (1904-1970) è stato un compositore austriaco i cui anni di attività professionale hanno coinciso con l'ascesa di Hitler e l'avvento dell'austrofascismo nel 1933.
Du kleiner Kasten, den ich flüchtend trug,
Daß meine Lampen mir auch nicht zerbrächen,
Besorgt vom Haus zum Schiff, vom Schiff zum Zug,
Daß meine Feinde weiter zu mir sprächen,
An meinem Lager und zu meiner Pein,
Der letzten nachts, der ersten in der Früh,
Von ihren Siegen und von meiner Müh:
Versprich mir, nicht auf einmal stumm zu sein!
Oh, piccola scatola che ho portato con me mentre scappavo
Attenzione a non rompere le valvole
Fuggire dalla casa al treno, dal treno alla nave
In modo che i miei nemici possano continuare ad attaccarmi
Al mio capezzale e per tormentarmi
Dall'alba fino all'ultima ora della notte
Gridando le loro vittorie e le mie peggiori paure:
Promettete che almeno non sarete più in silenzio!
Au jardin d’Angleterre, les bobards ont fleuri.
Tous les menteurs du monde parlent à la BBC.
Au gre de ces ondes, qu’il fait bon mentir
In the garden of England, deception has flourished.
All the liars of the world speak on the BBC.
As the radio waves welcome it, they tell good lies.
Sur l'aile de la liberté
Par les cités et les compagnes.
Nos pas, nos coeurs sont emportés
Au loin de nos cheres compagnes,
Mais on les reverra,
L'heure H arrivera
Car nous sauvons la France
Nous les amis, nous les amis,
Car nous sauvons la France
Nous les amis
Du maquis.
On the wings of Freedom
By the cities and the countryside
Our feet, our hearts are carried
Far away by our dear friends
But we see them again
Zero hour arrives
Because we are saving France
Us friends
of the Maquis.